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各種立ち方による移動突き 中山隆嗣の「活殺自在」 Template






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tomski各種立ち方による移動突き 中山隆嗣の「活殺自在」 coloring
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立ち方を変えた移動突き、運足に留意し、突きを磨く 中山隆嗣の「活殺自在」 sketch template
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各種立ち方による移動突き 中山隆嗣の「活殺自在」 sketch template
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各種立ち方による移動突き 中山隆嗣の「活殺自在」 sketch template
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各種立ち方による移動突き 中山隆嗣の「活殺自在」 sketch template
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移動突きの稽古で、拍子までも意識した返し突きを行なう 中山隆嗣の「活殺自在」 sketch template
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土台としての立ち方を意識した移動突き 中山隆嗣の「活殺自在」 sketch template
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その場突きの稽古の後は移動突き。立ち方の理から運足を伴っての突きについて細かく意識してもらう 中山隆嗣の「活殺自在」 sketch template
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移動突きの稽古で、拍子までも意識した返し突きを行なう 中山隆嗣の「活殺自在」 sketch template
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武技の土台、立ち方を理解してもらい、重要な技のポイントの一つ、正拳の握り方を稽古する 中山隆嗣の「活殺自在」 sketch template
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各種立ち方による移動突き 中山隆嗣の「活殺自在」 sketch template
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「受」→「突き」の連続技の間で立ち方を変化させ、武技の質を上げる 中山隆嗣の「活殺自在」 sketch template
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壮鎮に出てくる異なった立ち方による「かぎ突き」 中山隆嗣の「活殺自在」 sketch template
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基本で培うべき空手の身体意識 Ⅰ（立ち方編） 中山隆嗣の「活殺自在」 sketch template
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突きの質を上げるために正拳の握りと肩甲骨の意識を明確にする 中山隆嗣の「活殺自在」 sketch template
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中山隆嗣の「活殺自在」 sketch template
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吸法を伴なった締めの中段突きを運足と共に数をこなす 中山隆嗣の「活殺自在」 sketch template
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鎮東に出てくる受の使い方を変え、投げの形十五構の技に応用 中山隆嗣の「活殺自在」 sketch template
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蹴りを捌き、突きで反撃する 中山隆嗣の「活殺自在」 sketch template
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基本で培うべき空手の身体意識 Ⅲ（前蹴り編） 中山隆嗣の「活殺自在」 sketch template
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返し突き、転身動作で磨く中心軸 中山隆嗣の「活殺自在」 sketch template
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体幹部と末端部を意識して武技の質をアップする 中山隆嗣の「活殺自在」 sketch template