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正拳の握り、立ち方を意識して突きの稽古 中山隆嗣の「活殺自在」 Template






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tomski正拳の握り、立ち方を意識して突きの稽古 中山隆嗣の「活殺自在」 coloring
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身体の末端部まで意識する武術のこだわり。大切な正拳の握りのポイントと合わせ、「突き」の要点を説明 中山隆嗣の「活殺自在」 sketch template
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相手から攻撃に対して転身を交えて対応する術を学ぶ基本型「正拳の右左」を3名1組で稽古 中山隆嗣の「活殺自在」 sketch template
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突きの質を上げるために正拳の握りと肩甲骨の意識を明確にする 中山隆嗣の「活殺自在」 sketch template
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正拳の握り、立ち方を意識して突きの稽古 中山隆嗣の「活殺自在」 sketch template
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組手を意識して基本型を稽古 中山隆嗣の「活殺自在」 sketch template
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正整の中で猿臂の用法を意識 中山隆嗣の「活殺自在」 sketch template
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鍛錬を意識した「正整」の稽古。吸法と合わせた武術体作り 中山隆嗣の「活殺自在」 sketch template
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四股立ちを意識した突きと受 中山隆嗣の「活殺自在」 sketch template
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相手から攻撃に対して転身を交えて対応する術を学ぶ基本型「正拳の右左」を3名1組で稽古 中山隆嗣の「活殺自在」 sketch template
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武技の土台、立ち方を理解してもらい、重要な技のポイントの一つ、正拳の握り方を稽古する 中山隆嗣の「活殺自在」 sketch template
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手刀回し受による崩し 中山隆嗣の「活殺自在」 sketch template
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中山隆嗣の「活殺自在」 sketch template
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中山隆嗣の「活殺自在」 sketch template
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中山隆嗣の「活殺自在」 sketch template
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中山隆嗣の「活殺自在」 sketch template
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常に気を巡らせ、メリハリのある形にする 中山隆嗣の「活殺自在」 sketch template
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手首の使い方を意識して打ち技の稽古 中山隆嗣の「活殺自在」 sketch template
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中段突きを誘い、反撃する 中山隆嗣の「活殺自在」 sketch template
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転と拍子を意識した基本動作Ⅳで武技の妙を体験する 中山隆嗣の「活殺自在」 sketch template
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中山隆嗣の「活殺自在」 sketch template
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変手法23番「電光」。上段交叉受から崩しへと続く技 中山隆嗣の「活殺自在」 sketch template
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土台としての立ち方を意識した移動突き 中山隆嗣の「活殺自在」 sketch template
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中山隆嗣の「活殺自在」 sketch template
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形に登場する四股立ちをベースにした鍛錬の意識 中山隆嗣の「活殺自在」 sketch template
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握りを意識した特殊拳形の稽古で正拳の意識も変化 中山隆嗣の「活殺自在」 sketch template
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四方拝、特に「転」の箇所を意識して練る 中山隆嗣の「活殺自在」 sketch template
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組手を意識して基本型を稽古 中山隆嗣の「活殺自在」 sketch template