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後蹴りを極め技にした連蹴り 中山隆嗣の「活殺自在」 Template






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sketch 5086 Lion by Z Ionut Ady
sketch 5114 Doraemon by Carrieann Benthem
sketch 3444 PSY by Melodee Ripepi
sketch 20840 Dog by Laur Ūūtiis
sketch 5236 Edward Scissorhands by Ronin Ronin
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sketch 2644 Purple bun
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sketch 3236 Sunset by Aaron Bahary





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tomski後蹴りを極め技にした連蹴り 中山隆嗣の「活殺自在」 coloring
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受の質に留意し、受即攻撃の実践に続いて極めの蹴りを出す 中山隆嗣の「活殺自在」 sketch template
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同じく後方を蹴る技ですが、身体操作に違いがある「後蹴り」と「回転足刀蹴り」 中山隆嗣の「活殺自在」 sketch template
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二段蹴りで強襲、普段経験しない角度から攻撃する 中山隆嗣の「活殺自在」 sketch template
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中山隆嗣の「活殺自在」 sketch template
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実戦を意識した下段蹴りを磨く 中山隆嗣の「活殺自在」 sketch template
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引き倒しと崩し。塞を打ち砕くという形名をイメージさせる技を稽古 中山隆嗣の「活殺自在」 sketch template
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同じ上肢で連続して技を繰り出し、極める 中山隆嗣の「活殺自在」 sketch template
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蹴りを膝受で対応し、いろいろな技で反撃 中山隆嗣の「活殺自在」 sketch template
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